المدة الزمنية 9:40
The Mixolydian Mode Explained on Guitar
تم نشره في 2015/07/22
Get extra fretjam on Patreon: https://www.patreon.com/fretjam Mixolydian is like any other scale. But as a mode it also offers a unique and rich harmonic system that has been used in countless songs and can be used in your own songs. This lesson will help you to understand what Mixolydian is, where it comes from and how it is typically used. Modes needn't be confusing. And they certainly are a useful tool in any musicians repertoire. By using the ear training exercises in this lesson, you'll be able to relate what's being played to the fretboard. More here: https://www.fretjam.com/mixolydian-mode-guitar.html
الفئة
عرض المزيد
مقاطع الفيديو ذات الصلة على The Mixolydian Mode Explained on Guitar:
Miles Davis purposefully wrote the whole album Kind of Blue modally, he said the opposite: that it liberated the music from the constraints of chord progression. Sorry to quibble, this is really a great teaching video. ... 22
Your way of teaching is really what a jazz musician needs.
I haved played mostly rock, which is cool, lots of variations, but modal music can be very creative.
Thx for taking the time for sharing all these vids ... 1
Now I understand how powerful learning scales is because if I had known this stuff, I probably could have figured out how to play what's in my head in a few days rather than 7 months! These videos and scales literally have been making sense out of my entire life and it's so fucking exciting all I wanna do is talk about it! ... 17
Nice lesson
keep it up! ...
I understand it theoretically but I'm confused on its application. Great lesson btw (best guitar instructor on YT). 2
It's a magnificent and magnanimous scale. It's certainly not a down or introspective mode. It's extrovert and bold.
Of course you can go deeper, and find out its corresponding Hindustani parallels. It's also used in Irish music. What you will find with any scale, is, that it has been used, re-used, re-hashed and re-appropriated more times than a fly's dinner! There really isn't any one scale/mode that is used only for one thing, across all cultures times. There are only so many notes on the fretboard/piano keyboard.
I know that the Major (Ionian mode) scale is supposed to be uplifting and happy, but the Mixolydian just has that edge of extra 'God', 'Hairs on the back of your neck standing up', kind of thing to it. It doesn't matter. It's what it means to YOU. And it's how you utilize it in YOUR music, so it makes sense. No wrong or right. I just find it interesting the very common parallels between different musics, and also the very different ones too that totally contradict.
Modes rock! ... 2
Over the years I've accustomed myself with relating modal chord progressions to the parent major scale.
For example, when thinking about G mixolydian, and chord progressions, instead of laying out the chords, starting from G -> ii diii IV v vi VII (like you did in this lesson), I always think in C major terms, but write the fifth degree 1st -> div iii IV. and work my way from there. So a simple Mixolydian progression would be a IV V, instead of the I bVII I
Example, simple Dorian progression (thinking from C major): ii V
This is essentially a notation issue, because what people hear is sound and not roman numerals. But for the sake of "getting my sh-" together, should I learn each mode and the order of the chords relative to that mode?
I hope that I'm not too confusing, cheers :) ... 7
I have a question though:
Do I need to follow the tone of every chord during my improvisation, or can I stick to A mixolidyan during the whole thing? (For a blues in A7) ...
The V of G mixolydian is Dm or Dm7? Cheers. 1
D7 CMaj G Maj
isnt this IV I in Gmajor?
Or are they the same thing?